In fact, a large diaphragm condenser like a U87 will pick up a lot more of the room modes and odd resonances in a recording space.
It’s worth pointing out that even the most expensive microphones will not sound their best in a bad sounding room. It might take a little more time, but you can definitely get the results you want. But if you only own one mic and it’s not a U87, well then you have to try and create that colour and tonality with your vocal mixing chain. Yes, if you’re looking for a bright, sparkly sound, a Neumann U87 will help you get that straight off the bat. However, a lot can be done in the mix to create your desired vocal sound despite the microphone you use. Don’t get me wrong… if you’ve got top quality microphones and they help you achieve the sound you’re looking for, then by all means use them. It’s always easier and better to work with a well recorded vocal. If not, then don’t be afraid to re-record. If you know you’ve recorded a nice clean vocal, then great! Now you can focus on blending it into the mix. So, if you’ve recorded a vocal performance in a noisy space or you’ve digitally clipped it on the way in, it’s going to be a lot harder to get it to sound the way you want in the mix. Now, the first thing worth pointing out is that whatever source material you’re working with is going to affect the overall results you get.
#IS WAVES VOCAL RIDER WORTH IT PROFESSIONAL#
We all want professional sounding vocals that sit perfectly in the mix and I believe there’s very little stopping you from achieving that goal. I get asked about vocal mixing a lot and rightfully so.